White Balance
The colour temperature in your photograph is balanced by using white balance. In an attempt to return the colour temperature to neutral, it adds the opposite colour to the image. After successfully white balancing an image, whites should show up rather than blue or orange.
DIRECT SUNLIGHT
When shooting outside with the sun beaming on the subject, this technique is used. This picture was taken on a sunny day with the clouds covering the skies around 12p.m - 12.30p.m. at resident area. For the setting, aperture: f/8, ISO-100 and shutter speed 1/320.
SHADE
Shade is warmer than cloudy, which adds orange to the shot. Excellent for sunsets and tints. I shot this picture at outside of my house the surrounding is a bit cloudy. The seetings camera: f/5, ISO-400 and shutter speed 200.
CLOUDY
Used on overcast or shady days. Will produce pictures that are warmer than daylight. This was taken during the skies was greyish not to dark or to bright. It was shot outside the house and using sampe props as the subject. For the settings, f/5, ISO-100 and shutter speed 1/200.
TUNGSTEN
Use it only with tungsten light bulbs or the image will appear very blue. This implies you should only use it in situations where there are really warm light sources, such as tungsten light bulbs. I use lamp desk as a source light and the settings are f/5, ISO-400 and shutter speed 1/100
FLUORESCENT
If your images are too green or you're using fluorescent lighting, try a slightly less harsh preset than tungsten. Because there are so many distinct types of fluorescent lights, some cameras offer numerous options for this setting. This image setting are f/3.5, ISO-800 and shutter speed 1/80.